Ellis Island Arrivals, Ellis Island mural detail, 1937. Photo courtesy of The Public Buildings Service, General Services Administration, Washington, DC.

By Stuart Mitchner

Mural painters love walls. In place of a symbolic denial of freedom, a barrier between two countries, they see an immense panorama of possibility, a space free but necessarily and beautifully finite. When muralist Edward Laning (1906-1981) looked at the 100-foot-long wall of the Aliens Dining Hall at Ellis Island, he was pondering his assigned subject, “The Role of the Immigrant in the Industrial Development of America.” He was happy to have the work. It was 1934, he was broke and months behind in his rent for a top-floor loft with skylights on East 17th Street. As he recalls in “Memoirs of a WPA Painter” in American Heritage (October 1970), doing justice to his subject meant “learning how railroads were built and saw mills were operated and coal was mined and steel was manufactured.” more

By Stuart Mitchner

My only problem with a ceremonial institution like last month’s celebrating black history is in the way “history” implicitly detracts from the ongoing immediacy of the African American experience. “Lives” in my title can be read both as a reference to the lives of people and to the force that lives in the present, which happens when we listen to Charlie Parker or Billie Holiday, read James Baldwin or Frederick Douglass, admire a painting by Jacob Lawrence or a photograph by Gordon Parks, or go online to watch First Lady Michelle Obama’s stirring speech at the 2016 Democratic Convention.

The good news is that millions of people have been reading Obama’s memoir, Becoming (Crown $32.50), and David W. Blight’s Frederick Douglass: Prophet of Freedom (Simon and Schuster $37.50).

Blight’s landmark biography begins with President Barack Obama’s September 24, 2016 dedication speech at the National Museum of African American History and Culture, in which he delivered “a clear-eyed view” of the “tragic and triumphant” experience of “black Americans in the United States.” After referring to “the infinite depths of Shakespeare and scripture” in black history, Obama paid tribute to “the fight for our freedom … a lifetime of struggle and progress and enlightenment … etched in Frederick Douglass’s mighty leonine gaze.” more

How to clean up your home and work space once and for all

By Taylor Smith

Organizing consultant Marie Kondo’s book “The Life-Changing Magic of Tidying Up” has sold over two million copies for good reason.

In her native Japan, Kondo says that tidiness and simplicity are a matter of everyday living. She cleverly applies these feng shui principles to cleaning house, simultaneously challenging long-held beliefs in cleaning little-by-little every day, storing things for a different season, and/or discarding one item for every new item brought into your home. more

By Stuart Mitchner

Amsterdam was the first stop on my first trip to Europe and the first time in my life that I’d walked into a museum on a whim, on my own, casually, without thinking of it as a prescribed learning experience. Every painting was by the same artist. At 19, I knew about Van Gogh of course. I’d seen Kirk Douglas in Lust for Life. But here was the reality, vividly, wildly, uncontainedly there in the gobs, clusters, and swirls of paint everywhere I looked, and no one else was around, no crowds to contend with; somehow some way I’d lucked out and had the place to myself, just me and Van Gogh. I could almost hear him breathing, smell the smoke from his pipe, as if he were working as I watched, no brush, I imagined him squeezing the paint between his fingers and then slapping it on. Suddenly, seemingly out of nowhere, I’d landed all by myself on the shore of a new world of art.

 more

By Stuart Mitchner

I never had to deal with the college search process. The Indiana University campus was five blocks away, and since my father was on the faculty, the cost was minimal. I’ve never regretted staying at home. Besides making some lifelong friends, I wrote a novel, having figured out a plot in a sophomore geology class taught by a man whose amusingly morbid mannerisms influenced my depiction of a predatory professor at a fictional Eastern college. So even though I didn’t go away to school myself, my main character did, and came home to Indiana disillusioned about love and life. When the book was published the summer before my senior year, several reviewers gave me credit for at least not imitating J.D. Salinger, while others took the patronizing tone of the notice in the New York Times snidely titled “College Capers.” The Saturday Review quoted Picasso to the effect that “it takes a very long time to become young.” more

By Stuart Mitchner

The freshest, most appealing baseball books of the summer look to be I’m Keith Hernandez (Little Brown $28) and The Comic Book Story of Baseball (Ten Speed Press $18.99), with words by Alex Irvine, and graphics by Marvel artists Tomm Coker and C.P. Smith.

I grew up in post-war southern Indiana loving baseball. The nearest major league team was the Cincinnati Reds. About 250 miles to the north were Chicago and the Cubs and White Sox. St. Louis and the Cardinals were about the same distance to the west. I still remember Cubs broadcaster Bert Wilson exulting, “It’s a beau-t-iful day for a ballgame!” But I was never a Cubs fan, nor did the Reds ever mean much to me.  more

By Stuart Mitchner 

Summer camps in literature are not easy to track down. One that comes immediately to mind is J.D. Salinger’s Camp Hapworth, from which 7-year-old Seymour Glass pens the longest summer camp letter ever written. The last work by Salinger released for public consumption, “Hapworth 16, 1924,” which runs between pages 32-113 in the June 19, 1965 New Yorker, offers a unique — which is to say Salingeresque — view of camp life at Hapworth Lake in Maine. Then there’s Humbert Humbert’s favorite camper, Dolores Haze. Readers of Vladimir Nabokov’s landmark 1955 novel Lolita and viewers of the 1962 Stanley Kubrick film may recall Lo’s eventful stay at all-girl Camp Q in the Adirondacks, where she is deflowered by the camp mistress’s son Charlie, the only male on the scene.   more

By Stuart Mitchner

Home design begins the first time we draw the face of a house. For me, this was a clumsy but legible two-story square with windows where the eyes would be and a door for the mouth, a rooftop for hair or headpiece, and a chimney for Santa. more